Sunday, March 1, 2015

Jalie 2563 Sport Bras, Meet Hot Yoga

Classic marketing research from the 1960s concluded that a prospect needs to hear about a product or service three times before making a purchase. Later research expanded that number to five times, and then seven, and so on. I can't even imagine how many times I must receive a marketing message these days before making a novel purchase or behavioral change, but it's exponentially larger than three.

Whatever that magical number, hot (or Bikram) yoga finally reached it and I decided to give it a go about four months ago. Even though I'm not fully convinced by some of the claims (notably, that sweating a lot "detoxifies" the body), I instantly loved it with all the fervor of a new convert. And you know what that meant: new sewing projects!

The joke is somewhat on me, because the answer to what one wears to hot yoga is really, "Not much." Even the most modest outfits tend to be form-fitting, because wet sweaty fabric draping around the body creates a very unpleasant sensation. After a bit of experimentation, I concluded that the ideal combination of items for me is: sports bra top or tank plus capri length athletic leggings (tight fitting, not loose or bootcut).

I also discovered that the RTW sports bras I already own (one by Moving Comfort and one by Panache) were, to my surprise, overkill for yoga. There isn't much of a need for support, since there is no jumping around whatsoever. I started out wearing my highly engineered bras with a tank top, but eventually I had to concede that these bras don't really allow for unrestricted arm and shoulder movement. They do give my breasts a more "lifted" appearance than compression bras, but I have now obtained the yogic enlightenment to decide I don't care so much about that anymore.

Jalie 2563 is a predictably wonderful starting point for all sorts of sports bra concoctions. I have now made both views in size T multiple times.

View A, lengthened to tank length with an inner shelf bra made from Powerstretch:

The main fabric is activewear knit from FabricMart, which is soft and stretchy and perfect. It looks all linty and pilled here, but this is the fault of my washing machine, which is leaving tons of lint on everything these days (any tips???).

View A made in all one color by combining the panels:

I think it makes a lot of sense to combine the panels into one front and one back piece for the inner layer of the bra top, even if you are doing the color blocking on the outer layer. Fewer seams to create bulk and potentially chafe. It would have been nice if Jalie included such an option. For similar reasons, I sewed the outer layer and the lining each as one complete bra, and then attached the two wrong sides together. This way, the shoulder and panel seams are enclosed within the layers and feel smoother against the skin.

View B, per the pattern:

Both the outer and inner layers of this bra are made from an activewear knit from Hancock's with a high percentage of lycra (I think 10%). It is nice and firm. I think this particular configuration is the most comfortable of the bras I have made, with the stipulation that I am unhappy with my foldover elastic choice. This is the 3/4" unfolded size, and it just seems too thin and delicate for the task. Everything stays in place just fine, but the scale strikes me as wrong. Unfortunately, the 1" unfolded size of FOE is very difficult to feed through lingerie sliders, even the 5/8" size. I'd love to find a better source for high quality FOE intended for binding activewear.

View B variation, tank length with inner Powerstretch bra:

Sorry for the unhemmed lower edge: I need a walking foot for my Bernina 1090 and a new twin needle before I attempt hemming a stretchy knit again.

For this variation I trimmed the back piece straight across on the upper edge.

This is the wider foldover elastic, here applied with a regular old zigzag.

Inside out, showing the Powerstretch inner bra:

And inside out, from the back. Straps are simply zigzagged into place, but you could use lingerie rings and sliders to make the straps adjustable. When I can avoid that, I like to. Less hardware, less adjusting down the road. But I did just buy a pack of 25 clear rings and sliders in the 5/8" size on eBay for $7.50 (so, so much less expensive than at Hancock's or Joann's).

And, the fanciest-looking variation, another View B takeoff:

The rings make the straps look adjustable, but the truth is I made them too short the first time around, and then had to improvise a fix. This thicker FOE wouldn't go through the lingerie sliders, so the rings are just for decoration.

Even though this variation looks a little complicated, it's simple to do. Instead of enclosing the front edge binding in the armhole binding, extend the neck binding for 20" or so on each side. You can reinforce the spot where the two bindings meet with a little zigzag tack if you want. I haven't done that yet, but I will if the area starts to show signs of strain.

So many more variations are possible!

On a different note, check out this amazing deal on eBay for Patagonia sports bras for $5 each. I got two and I really, really like them. Very comfortable and the construction quality far exceeds what I can produce with my domestic equipment. I will be buying at least four more for wearing every day. These are, as I understand, military surplus. That means they are only available in sizes M and (in some other auctions I saw) L. The color is...I don't know...beigeish, greenish drab. It's not a color I would wear on its own, even in hot yoga class. But for the price and the workmanship, I love it!

Sunday, January 18, 2015

A Ruffly Hello

Golly, it's been a while.

One thing: Lindy Focus, the week-long camp that brings over 1,000 people to Asheville to celebrate vintage jazz music and dance. A very exciting and action-packed week builds up to New Year's Eve--which I skipped this year, due to overload and exhaustion.

I led a new project for the event this year: a real-time event blog to record and reflect on some of the event happenings. So instead of sewing new dresses for six nights of dancing this year, I led a team of bloggers and wrote and edited a whole lot of blog posts. The project made for a wonderful baptism by fire into WordPress blogging, so who knows? Perhaps I'll use my new skills in this space...though my plans are not yet clear, even to me.

Happily, the photos from Lindy Focus show a dress I never did manage to record once it was completed, the striped sweetheart ruffles dress. It's a mashup of a Simplicity 2174 bodice, self-drafted shoulder ruffles (wish I had made them wider!) and the skirt from McCall's 6503. Even though it fits in the upper bodice, it takes the lingerie guards I sewed in at the shoulders, plus a fair bit of fashion tape to keep my undergarments hidden. The fabric was from Waechter's Fine Fabrics going out of business sale. It's a rayon challis. Even though I now love the colors and the print, this design is one I know I would never have bought if it hadn't been a serious bargain.

Perhaps you remember or share my rule: no strapless bras...ever!

This is our local dance group. As I'm sure you can see, I'm on the right. FYI, I am purposely showing my vintage pink lacy slip at the hem of the dress--it's very pretty lace and I like it with the ruffly feeling of the dress.

There is one new dress in my life--which was intended for Thanksgiving--in a hilarious foodie rayon print (from FabricMart). It didn't quite make the deadline for our trip to Missouri to visit my in-laws at Thanksgiving. I surprised myself by finishing it up after we got home, all except for the hem. And there it waits for my mom to help me mark it.

This hem marking has been very much delayed by the illness and ongoing hospitalization of my dear step-father, over a month in duration so far. So, indeed, there have been things (enormous group blog projects, ill family members, other work and family activities) that have conspired against sewing, especially of the frivolous dress variety.

But I notice that there are other things I want so much to write about: my new interest in Bikram yoga (!), a natural cosmetics line I am liking, how breaking my smartphone has improved my life...and surely more. Chat soon.

And be sure to check out the bearded lady in the picture above--amazing, no? She is a makeup artist and theatrical costumer who likes to push it to the edge. And beyond.

Saturday, December 6, 2014

New Look 6298: My New Bestie

You know how I (and lots of other bloggers) am always like, this dress is nice, but if I had done this, or if the fabric were that, or next time I will change this? Yeah, I'm not going to say any of that stuff today! I am happy with this dress, without qualification.

I have some very, very similar patterns (including another New Look raglan top which could easily be lengthened), but I liked the pattern illustration and the general vibe of this dress so much, I went ahead and coughed up the extra $4 to have the best possible chance for success.

Normally I avoid the New Look patterns that start at size 10, as this tends to be too wide for me at the shoulder. This time I cut the 10 through the waist, tapered out to 14 at the hip through the hem, and did a 1" swayback adjustment. After putting the pieces together, the shoulder area was indeed too wide, and I took in the center back about 3/4" and back raglan sleeves 1" each--for a total reduction in shoulder width of a huge 2 3/4". But it was an easy change and everything else suited me fine. It would be possible to take in the side seams as much as 1" per side for a closer fit, but at the moment I feel satisfied with the roominess.

Could definitely be more fitted, but I like the looseness for now.
The shoulder dart worked well for me.
One reason I was eager to make a success of this version was my fondness for the fabric, a quilted polyester doubleknit from FabricMart (recent, but sold out). On the website, only the striped side of the knit was shown. I was so thrilled when it arrived to find that the "wrong" side had an adorable pattern of "x" shaped cross stitches. Both sides were so appealing that I wanted to find a fun way to use them both. The possibilities are endless, but I am happy with this combination. Wish I could get more of the fabric!

The one change I made was to the neckband. New Look included a different kind of pattern piece than the type I have seen before. Instead of a straight band seamed in the back, it was a notched pattern piece meant to be sewn together in a mitered v-shape in the front. That went together fine, but then I couldn't get it sewn onto the garment edge well. I needed two more tries to get the neckline to work out using the more common method (with a little pleat to form the vee at center front). First I used a narrower band like the pattern, just with the joining seam in the back. With the bulkiness of my double-layered fabric, though, it was just too narrow. I cut another band wider, and used a wider seam allowance. The pattern specifies 3/8" for the neckline, which would normally work great, but not in this fabric; 5/8" worked much better.

We all love pockets, and these are big! I didn't sew them exactly as directed--that would have made them stand away from the body slightly. I know from previous experience that I don't like that. But pinning them flat was no trouble and it worked out fine. These pockets have a stitched hem on the top edge and turned under edges on the side fronts and bottoms. The side seams are sewn into the garment side seams.

I've already made another fleece! I did change the pockets in that one, since I didn't want to turn under an edge in fleece. The biggest disadvantage of the fleece version is that, once I have it on, I will not want to take it off until May. It's a slanket to end all slankets. I'll show it to you soon.

Monday, November 10, 2014

Burda 7734 Hooded Sweatshirt in Fleece

My son has never been a great one for posing for photos, but I think he's getting less cooperative as the birthdays go by. Here he is in his mom-made 15th birthday present, a fleece hoodie.

There might be more to say about the shopping for the supplies to make this garment than about the sewing. The Polartec fleece came from FabricMart for a great price. In addition to the main blue color, it has some faint fibers of black, which was very fortunate when it came to pairing the fleece with notions like a separating zipper, ribbed cuffs and waistband and the cord for the hood.

Real, honest-to-goodness ribbing is something I don't usually source or incorporate into my projects, but in this case it seemed that having a nice stretchy fabric with great recovery at the cuffs and hem would make the shirt much more polished and therefore more exciting to a 15 year old boy (or to my forty-something husband, if the boy turned out to not like it). I looked out a source at The Rain Shed, which is based in Oregon. They have two weights of ribbing, both of which look very nice on the website, but since my fleece is a regular weight, I went with the Standard Ribbing rather than Heavyweight. I also ordered the coordinating seamless ribbed cuffs. The quality is nice and the weight is perfect. There are quite a number of colors to choose from, but in this case black was the best choice.

The 24" separating jacket zipper and the black cord at the neck also came from The Rain Shed. I was a bit concerned about the time required for shipping, since the supplies would be traveling from coast to coast, but I ordered on Saturday morning and had my package early Monday afternoon. One thing to mention is that you cannot order directly from The Rain Shed's website: you must call in your order. The phone staff was friendly and efficient, though.

Online reviews indicated that this sweater runs small and short, so I made the next-to-largest men's size, a 42. It looked very large while I was working on it, but it seems like a pretty good fit on a rapidly-growing teenage boy.

Instead of turning a hem to the wrong side on the pocket edges, I fully lined the pocket with a thin black polyester ITY knit, which made a better edge on fleece. The pocket was turned right side out, topstitched along the angled edge, and then edgestitched into place along the top, side and bottom edges. The pattern's instructions for the zipper edge were odd to me: it asked you to turn the center front seam allowances to the outside, baste in place and trim to 1/4". The zipper tape was to be applied on top of those seam allowances, enclosing the raw edges. That might be good for a sweatshirt knit, but the fleece would have made a very bulky edge, so I applied the zipper in the "normal" way and then topstitched it.

You can't see it in these photos, but I taped the hood/neck seam edge with black twill tape, a finish I copied from an RTW hoodie.

My son is always asking me to sew more for him. He didn't have a whole lot to say about this sweater, but he's hardly taken it off since I gave it to him, so I guess that means it's a success! I hope to make him and my husband more of this style, since it is so ubiquitous and popular.

Here is the pattern, Burda 7734, which is out of print:

Thursday, October 30, 2014

Wonder Woman Revealed!

This shot somehow makes me look a lot taller and thinner than I actually am. Any ideas how to get this effect without a camera?!

I think the Wonder Woman costume was a success. I did enjoy the gratifying phenomenon of having my friends look at me without recognizing me!

Next time, I would go for shorter cuffs with grommets. The elastic loops didn't hold up very well. Everything else performed great.

I appreciate all your cheering about the contest, but I was one of the judges and therefore ineligible. One winner was an adorable sewing friend who made herself into a letter (vintage slip with love phrases written on it) in an envelope (square tunic with airmail markings and address) worn over the slip. I hope to get a picture to share with you!

Would you believe it, I think I am going to have another opportunity to wear this costume tomorrow?

Friday, October 24, 2014

Knit Tunics: I'm Collecting 'Em

And here's a quick one! Another Butterick 5954, this time the un-crossed-over version. Basically a long roomy t-shirt. I need, like, about 70 of these.

Side view, showing how the hem is longer in back.

And the back view, showing all kinds of imperfections in pattern alignment/matching/sleeve fit, but my God, it is a t-shirt. What I would like for you to notice is that the center back seam allows for a lot of flare over the booty without a lot of looseness above the waist. In fact, the pattern has so very much flare that I took bunches of it out (four inches out of the center back seam at the hem, and another inch on either side seam).

I chose not to use a cowl neck on this top so that I can wear scarves with it and layer it. For the cleanest neck finish, I used a technique which is included on a few patterns I own. For this technique, you apply a neck binding in the standard way, but then you understitch the seam allowances to the binding and turn the binding completely to the wrong side. The binding is then topstitched in place close to the folded edge.

Even though this fabric, an ITY knit I just received from FabricMart, is not very sheer, I still thought the dots might show through if I used the same fabric for the neck binding. I had a little piece of white lycra knit left over from my Halloween costume, which has the additional attribute of being stretchier than the fashion fabric.

This binding technique should really be used more often, because it looks neat and it is very durable. It puts a whopping five layers of fabric into the neck edge, so it is not good for bulky or thick fabrics.

I used a narrow band to finish the cuffs. The lower edge was tricky to hem (stitches were skipping badly), so I had to use some strips of very lightweight knit fusible interfacing to stabilize and fuse the hem into place before topstitching with a twin needle.

Only 69 to go--good thing they are quick!

Thursday, October 23, 2014

Wonder Woman Boots With Jalie 2448

Of course I wanted Wonder Woman boots to go with my Wonder Woman costume, but footwear is generally the hardest part of an outfit for me and this costume was no exception.

Pretty fabulous Wonder Woman boots are available for purchase (though they don't come cheap), or one could spray paint some thrift store boots red and add some white details. Neither of those strategies appealed to me, though, because my event is a dancing event and thus it requires dance appropriate footwear (smooth soles and comfort, which are hard qualities to find in random shoes).

My goal was to make a decent approximation of a Wonder Woman boot using a pair of dance shoes I already had but NOT altering those shoes permanently. I looked around the web for ideas, which was very helpful but didn't yield this exact strategy.

At first I planned to make spats, and I went so far as to draft a pattern and to mock it up in a piece of scrap vinyl. And it became perfectly clear to me that Wonder Woman spats are not, and should not be, a thing.

Then I thought of Jalie 2448, a discontinued pattern which includes a pullover, tights and fleece socks. Even though the printed pattern is not longer available through Jalie, a PDF version of just the socks now is.

I had seen some terrifically awful shiny stretch vinyl knit at a local shop, Foam & Fabrics, so I decided to make some Wonder Woman socks to wear with my shoes.

At first I planned to wear the socks as socks, but then I had the bright idea to perhaps try to stretch them over my shoes, kind of like figure skaters sometimes wear tights over their skates to match the color of a costume.

So, I made the size which corresponded to my shoe size since I had already made these socks before in fleece (and really liked them). But because of the limited stretch of my vinyl plus wearing them over shoes, I really should have made them at least two sizes bigger. Getting the shoe/socks on is no joke, but once on they are perfectly comfortable.

I used a scrap of the heavy red swimwear fabric from the top of my dress for the bottom part of the foot because it was both stretchier and more durable than the vinyl. I altered the top of the front of the sock to come to a point in the middle, and I drafted a separate shaped facing/band to be made from a scrap of white stretch fabric.

Jalie 2448 sock pattern pieces plus added shaped band
The white stripe down the front of the boots was created with a piece of foldover elastic, and the white band at the top was from a scrap of white fabric from the dress. The back part of the band was just a crosswise strip of the white fabric cut 1 1/4" wide. Two sets of facing pieces were cut for each sock. Then each set was joined into a ring at the side seams, and the two rings placed right sides together and joined along the top edges. I used a shaped piece of stiff interfacing right in the point of the right side of the facing piece to hold the pointed shape. The band was turned right sides out, and the seam was understitched to the rear to hold everything in place for a sharp edge. Then the band was attached to the sock, pivoting at the point.

I didn't want to mess up my dance shoes, but I did want everything to be red. First I covered the heels of the shoes in no-residue medical tape (masking or painter's tape would also work).

Then I inserted the shoe into the sock and cut out the heel area.

After pulling the sock up over the heel, I used red duct tape to cover the heel and to secure the cut edges of the sock.

After my costume party, it should be possible to remove the sock, remove the duct tape, remove the lower level of medical tape and, voila, my dancing shoes will be just as they were.

The reason I think it is okay in this case to have smooth fabric as the bottom of the ball of my shoe is because I will be walking and dancing on a smooth hardwood floor. Some people actually put lycra sleeves over street shoes to make them into smooth dance shoes. Smoothness is not just okay for dance shoes, it is desirable. I actually think the heavy nylon lycra fabric used on the bottom of the socks would hold up fine to a night of trick or treating, but it would be a one-time use kind of situation.

If I were making these again (and I am kind of tempted to do another pair, since I have plenty more fabric), I would make them bigger, taller and perhaps add an invisible zipper to the inside leg seam in the ankle area. Then they would be a lot easier to get on and off and would hold up better over the long run. But then again, I'm happy with the boots as they are, too--they are comfortable and very importantly, they stay up!

I could use a spot more duct tape on the heel above, but this view shows you how it all works pretty well.

This strategy could be used for making all kinds of costume "boots" when you don't want to either buy a dedicated pair of boots or permanently alter an existing pair of shoes.