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These patches are 2.5" finished squares, and nearly all are truly scraps. I did purchase four fat quarters of blue fabrics to ensure that my son's quilt would tend toward the masculine, rather than accurately reflecting the true yellow-pink bias of my scrap collection.
The photo above shows the unquilted top, which I must admit I prefer to the quilted finished product. In my attempt to take the least complicated path to the desired end (something to use on the bed), I decided to quilt in the ditch on each seam line. But, in the interest of avoiding tucks and pleats on the quilt back, my dear Bernina presser foot #10 (edge stitching and stitch in the ditch foot) had to defer to the Bernina walking foot. I found it quite difficult to keep my eyes and mind focused on following the seam line for a l l those seams.
Anna quilted her scrap quilts in a diagonal grid. Now I wish I had slavishly copied that, too.
I did, however, take her suggestion for binding, which involves leaving 1 1/2" of backing all around the quilt. Then you fold under 3/4", press, and fold again to the front. I zig zagged it all around. Even though I know this isn't a quilt purist's binding method, I'm very happy with how it looks, and that part of the project was surprisingly quick.
Sewing machine notes: I pieced the top on my Necchi BU (circa 1954). When I began this project (winter of 2008), the BU had just taken her place in the sewing room. We bonded over her comforting, smooth, weighty hum through the nearly-one-thousand squares in this top. Quilting had to take place on the Bernina 160, which felt like a comedown after enjoying the Necchi so much. I did purchase a high shank walking foot for the Necchi for this project, but it ended up not fitting properly. One of these days I'm going to try again.
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